Chronically Indigigoth • 11 days ago

 My mind has been an explosion of ideas and creativity lately. I'm in the end chapters of the book I've been writing, exciting about some film projects I'm a part of (and want to continue working on), I've had this magazine idea that died and is revived AND am evolving my etsy business ideas. So I'm going to write about it here. I need to get it out.  The Filming? I kinda stumbled into the acting part on accident but have met THE COOLEST creative community, actors, directors and people through this. I don't want to stop. I love especially how the project's I'm in have been bringing Native/ Indigenous folklore to life. I've been documenting my creative journey and projects on my TikTok @ChronicallyIndigigoth which has been fun. It's taught me to get outside of my comfort zone and take initiative. If I don't chase my passions and try to inspire someone else is going to. Qualification in things like this is a myth, passion, being willing to be embarrassed and learn, and pushing oneself is what makes the magic happen.  On my Etsy I have been selling thrifted mystery boxes, and although I might continue doing this a little bit, I'm going to redirect my attention to personally made Altered clothing, posters, stickers. Items that reflect the projects I'm working on and could contribute to fundraising and helping me make it happen fulltime. I want more native stories and amazing film to be out there; I want a magazine for Native communities to contribute to and be heard. I want our youth to be inspired and proud. There are a lot of Indigenous publishers, clubs and groups out there, but I've had trouble reaching out. I feel like I need to make the success happen. They're not going to notice and help until they can't help but notice.  I think one of my biggest challenges with my writing right now is figuring out publishing/ editing. It is my first finished book so I will have to finish it before pitching. I'm admittedly nervous about that. Do I self-publish or work with publishers that are Indigenous friendly?  I think now I will focus on finishing the book, transitioning my shop & an LLC & website instead of an Etsy shop. I'll Interview people that have succeeded, get advice out there from them for people like me. I'm going to continue documenting the journey and progress here as well, If you made it this far thankyou for reading :)  Kate

Jolie Elizabeth Scalfano • 29 days ago

Frisson is a physically felt signature of an emotion, a somatic marker. Like nausea and disgust, or a rapid heartbeat and anxiety, this feeling in the body coincides with an emotion in the mind (and thus makes the body-mind distinction much more blurry). The specific somatic marker of frisson is experimentally tied to peak emotional experiences and the most meaningful moments during exposure to different stimuli, such as  songs or speeches or art pieces. And amazingly, aesthetic chills seem to be an almost universal marker of peak emotional experiences across a wide range of cultures and continents. This universality is really rare—usually, expressions of emotion are quite different across cultural contexts—and this means that we can potentially use chills as a way to study emotion in the body in diverse peoples and places. We have a remarkable embodied feeling (a somatic marker) which is tied to this abstract emotion (meaningful moments), as if we could reach out and directly touch 'meaning-making'.

Jeff Richardson • about 1 month ago

I've been reading Benjamin, Adorno, and Horkheimer, and the more I do the more I realize how much of what they're saying comes from conversations with the thinkers before them. It feels like walking into a room where everyone’s already mid conversation. This deep dive is my way of tracing those voices backward. I want to understand where ideas come from, how they evolve across time, and what they say about art, memory, and what it means to create something that feels alive.

Chronically Indigigoth • 2 months ago

Strange & Necessary is a deep dive into the gothic literature, film and folklore. It’s for the too-beautiful, the too-strange, the too-questioning creatures  that unsettle the world simply by existing. Here I unravel history, film, and folklore while weaving in the threads of my own book. This is a candlelit diary of orphans, sin-eaters, poisons, crows, and heroines who reveal society’s hypocrisy and remind us that difference is not only strange, but necessary.