Is it sacrilege to say this movie kinda sucks? I don't care how much the soundtrack is purported to be an intentional tonal clash, it sucks at even that, especially since nothing else in the production is aware there's supposed to be one. Also a case where it's not method acting if the creep is legitimately a creep and the victim is legitimately a victim. Supposedly the shock factor -- very tame by today's metric -- was meant as a Reefer Madness style word of warning, but it's just exploitation.