A few years before Natural Born Killers became the poster child for mass murder media infamy, this forgotten indie explored the topic through a shadowy, painfully isolated lens. Its satire is aimed directly at the psyche instead of the societal, with unreliable narrator, splintered timeline, and a wire walk between absurd humor and off-putting horror. Lynchian-weird in the best ways, its ramp-up is best viewed without a synopsis. Hardly revelatory in its message, but inspired in how it tells it.