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Set in 1980s New York, Eric is an emotional thriller following the desperate search of a father when his nine-year-old son disappears one morning on the way to school. Vincent, one of New York's leading puppeteers and creator of the hugely popular children's television show, "Good Day Sunshine", struggles to cope with the loss of his son, Edgar, becoming increasingly distressed and volatile. Full of self-loathing and guilt around Edgar's disappearance, he clings to his son's drawings of a blue monster puppet, Eric, convinced that if he can get Eric on TV then Edgar will come home. As Vincent's progressively destructive behavior alienates his family, his work colleagues, and the detectives trying to help him, it's Eric, a delusion of necessity, who becomes his only ally in the pursuit to bring his son home.
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I have complaints -- manipulative red herrings, a duplicitous walking "monster" metaphor, a gradual imbalance of unlikely plot turns and the gritty, realistic portrayals thereof -- but they are far outweighed by what I get from Eric. The period building, evergreen topicality,...
